
“Cyrano” languishes as an overwrought metaphor
Grace Zhao, Opinions Editor
• April 11, 2022
Wildcat Worth-It: Episode 2
Megan Dhillon, Jade Wang, Ananda Mayuri Chakkenchath, and Ariel Wang
• March 16, 2022
Wildcat Worth It: Episode 1
Megan Dhillon, Ananda Mayuri Chakkenchath, Jade Wang, and Ariel Wang
• March 16, 2022

“All of Us Are Dead” adequately executes a high school zombie survival show with an intriguing spin
Mayukhi Katragadda, Activities Director
• March 5, 2022

“Our Beloved Summer” plays with comforting nostalgia
Anaisha Das, Daphne Wang, Kimberly Cui, and Jia Takayoshi
• February 15, 2022

Marvel’s “Hawkeye” somewhat successfully exposes the dark side of heroism and sacrifice through a lighthearted lens
Mayukhi Katragadda, Activities Director
• February 12, 2022

Läderach Chocolatier Suisse hits all the right keys
Jia Takayoshi, Arts & Graphic Editor
• February 3, 2022

“Red Notice” is “Indiana Jones” without the engaging storyline, charismatic performances and successful humor
Rishvanth (Rishi) Ramesh, Photography Editor
• January 14, 2022

Adele’s “30” tells a story of poignance she’s overcome in herself
Shreya Jagannathan and Rhea Master
• December 15, 2021

Only Murders in the Building’s portrayal of a crime is a fun, quirky approach with a devious undertone
Rishvanth (Rishi) Ramesh, Photography Editor
• November 28, 2021
Load More Stories