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“Love and Monsters” offers a twist in the apocalypse
Boomika Velineni and Geneva Xie
• December 9, 2020
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Early and mail in voting should be promoted even after the pandemic
Arya Patel, Staff Writer
• December 8, 2020

“After We Collided” glamorizes toxic relationships to young audiences
Helen Kang and Riya Mehta
• December 8, 2020
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Quarantivities & Stories #13: The top 10 TikTok songs that live in my mind rent-free at all times
Mahika Arya, Web Editor in Chief
• December 7, 2020
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Entertainment businesses face COVID-19 impacts
Shereen Ahmed, Opinions Editor
• December 4, 2020
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The bro-country subgenre silences female voices, preventing country music from progressing forward
Aria Khalique, Multimedia Editor
• December 2, 2020
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Mamamoo’s “Travel” provides truthful messages
Ashley Lee, Staff Writer
• December 2, 2020
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K-drama “Do You Like Brahms?” explores the subtleties of human interaction
Claire Zhang, Features Editor
• December 2, 2020
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Night owls deserve to be understood — not shamed
Jade Wang and Owen Spargo
• December 1, 2020
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