
“A Man Called Otto” outshines the original
Neetra Chakraborty, Indra Deshmukh, and Abby Kapur
• January 30, 2023

“Avatar 2: The Way of Water” plays in the shallow end
Mitali Mittal, Saanvi Haridas, Grace Zhao, and Allan Zhang
• January 29, 2023

“Enola Holmes 2” is the epitome of a family-friendly movie on Netflix
Ella Shen, Managing Editor
• November 27, 2022

Jordan Peele’s “Nope” delivers a new-age horror movie that carries a symbolic message
Udita Jonnala, Public Relations Manager
• October 13, 2022

“Everything Everywhere All at Once” is a hilarious, heartfelt take on the multiverse
Tanvi Rao, Arts and Entertainment Editor
• May 21, 2022

“Texas Chainsaw Massacre” disappoints with a messy sequel and blood-sucking boredom
Udita Jonnala, Public Relations Manager
• May 17, 2022

Pinocchioverse: The terrifying start of a new era
Sylvia Ho and Tessa Galeazzi
• May 7, 2022

Scream 5 elicits more uncertainty than excitement
Shreya Jagannathan, Copy Editor
• April 19, 2022

“Cyrano” languishes as an overwrought metaphor
Grace Zhao, Opinions Editor
• April 11, 2022

“The Fallout” embodies the intricacy of mental health and trauma
Udita Jonnala, Public Relations Manager
• March 18, 2022

Rebecca Hall’s “Passing” Portrays The Tragedy Of Identity and Change
Udita Jonnala, Public Relations Manager
• January 19, 2022
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