
“Shadow and Bone” Season 2 illuminates how Netflix has failed diverse shows
Indra Deshmukh, Copy Editor
• April 25, 2023

“Dungeons and Dragons: Honor Among Thieves” writes a love letter to the fantasy and heist genres
Akilesh Kale, Copy Editor
• April 25, 2023

NMIXX shows off their vocal prowess in debut EP
Lauren Chen, Editor-in-Chief
• April 19, 2023

East Asian art takes over American teen culture
Neetra Chakraborty, Art & Graphics Editor
• February 1, 2023

“A Man Called Otto” outshines the original
Neetra Chakraborty, Indra Deshmukh, and Abby Kapur
• January 30, 2023

“Avatar 2: The Way of Water” plays in the shallow end
Mitali Mittal, Saanvi Haridas, Grace Zhao, and Allan Zhang
• January 29, 2023

Top 10 K-dramas to check out on Netflix
Emily Wong, Arts and Entertainment Editor
• January 5, 2023

Christmas Romantic Comedies: The Love and the Hate.
Nishita Mukherjee, Managing Editor
• December 15, 2022

“Bridgerton” season 2 entices fans with classic enemies-to-lovers trope
Shreya Jagannathan, Features Editor
• December 7, 2022

TikTok influencer Nessa Barrett opens up about mental health struggles with her debut album “young forever”
Srishreya (Shreya) Arunsaravanakumar, Opinions Editor
• November 19, 2022

For Dougherty Valley’s music department, community is instrumental
Lauren Chen, Boomika Velineni, Saanvi Haridas, and Emily Wong
• November 16, 2022
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